ENEL Cover Monte Santa Maria Tiberina – Watercolour and ink 58 x 54cm (For Sale)
I was recently asked, by the Circolo di Monte Santa Maria Tiberina, to take part in a project to decorate the utility meter doors scattered throughout the ancient town. The remit said that it needed to fit the panel, be relevant to the medieval town and take into account the lock on the door.
Designing door covers
In total thirteen artists were asked to join the group and one Sunday a couple of weeks ago we all met up to choose our doors. Mine is the ENEL cover at the top of the stone stairs leading to the Palazzo and the main piazza.
Naturally I decided that I’d do a landscape of the area but I needed to disguise the black plastic door lock. I thought the best way to do this was to give the painting a harvest theme and hide the lock inside a strange, black, fantastical plant. Continuing the Fruita di Bosco the scene with a nectarine and more flowers in a vase, the meaning behind the books remains a mystery.
Urban art project
The access panel is quite large, some 58 x 54 cm and I felt that a landscape just plonked in the middle of the street would seem strange. So I included a terracotta tile window sill, on which the books, vase and nectarine stand, giving the impression you are looking through a window or archway.
View of Monte
The town is drawn from the same angle at which you look at the panel, so it has the effect of creating a world within a world. A fairground hall or mirrors, with infinite repeated views of Monte Santa Maria Tiberina stretching off into the distance.
The paintings will be printed onto film and the doors covered and hopefully remain in place for a couple of years. If you are interested in seeing them they will be ready for the town’s festa, which runs on the 8,9 and 10th October.
I hope to see you there. 🙂
Posted in landscape, Painting, Project
Tagged ENEL, Italy, landscape, Monte Santa Maria Tiberina, painting, project, public art, streetart, Umbria, watercolor, watercolour
Badia Monte Corona
The latest landscape painting sounds like it could be a board game or the next film in a vampire franchise. The reality is that it follows the trip I’d been taking throughout August up Monte Corona, south of Umbertide, where I was staying at Prato di Sotto during the summer months.
The directions are simple and this picture, guiding you, has the feel of an old treasure map seemingly detailing, albeit in a slightly distorted fashion, the landscape of an earlier time.
Borgo di Santa Giuliana
“Once you cross the bridge, make sure you avoid the monastery and travel up and around the hill. Continue down the road until you reach the iron bridge and the little cabin. Turn left onto the white road.”
“Follow this rough, stone trail for 4Km, past the houses, the wood piles and over the little bridge until you reach the picturesque medieval village. Do not turn right at the farm and head into the valley but carry on up the hill until you reach the B&B. If you push on further up the hill, you’ll reach the sanctuary of the hermitage of San Salvatore on top of Monte Corona. ” GAME END!
Eremo Hermitage San Salvatore
The style still contains the elements taken from the Lorenzetti and Gozzoli frescoes but features more modern houses and bridges. The trees are purely influenced by these early Renaissance artists and copies that exploratory feel that their work possesses.
Monte Corona Skecthes
Once again I’m planning on having a dramatic sky, all oranges, pinks and purples but we’ll see how that turns out. At the moment I’m just struggling with how to paint a page full of trees and foliage. Let’s wait to find out how it ends up shall we?