Gubbio – The Saint, The Wolf and a Race, watercolor and ink. 36 cm x 68 cm (For Sale)
Gubbio is a fascinating town in Umbria, said to be one of Noah’s first twelve cities, it is also the place where St Francis spoke to a wolf, who was terrorising the residents. Each May there is a famous mountain race where three teams carry 25 foot totems to the basilica above.
Ceri dei Gubbio
The main landmarks around Gubbio are depicted including the ancient Roman amphitheater, the churches of saints Francesco, Ubaldo and Pietro as well as the magnificent Palazzo dei Consoli.
The painting is a sister to the one of Assisi with the sky following from one to the other. It is painted with a lack of linear perspective as a way of exploring differing ways of depicting depth.
Palazzo dei Consoli
The style is a modern interpretation of the Medieval Gothic work of such artists as Giotto and Martini who were both active in this region over 700 years ago. Great examples of their works are shown in Assisi.
The painting employs a pallet typical of the era. With earthy tones and the occasional splash of colour thrown in. Ultramarine was especially reserved for depictions of the Madonna and so a cerulean blue is used instead for the sky.
The greens are mainly viridian, sap and terra verde with titanium and Chinese whites providing the highlights. As always vermilion is used for the bright red roof tiles.
Gubbio was one of the first 12 cities created, by Noah, after the biblical flood. It is also where St Francis talked a wolf out of terrorising the residents. The painting shows the main landmarks and obvious points of reference around the town.
Cable car view of Gubbio
Perched on the mountain top is the Monastery of St Ubaldo that can be reached by cable car. It is here that they light the famous giant Christmas tree each year. In the foreground is the ancient Roman amphitheater, which is still in use today, along with the Palazzo dei Consoli and the churches of St Francis and St Peter.
Halfway up the hillside the remains of the town’s defenses poke out of the olive groves and scrub, with the crumbling towers and debris clearly visible as you approach the town. Gubbio itself is a maze of narrow cobbled streets and interesting buildings, fountains, piazzas and shops.
Giotto’s trees in Assisi
At present the painting starts to capture the grey and tan stonework that have been used in the town’s construction. These are played off against the trees and bushes that are scattered around Gubbio’s streets.
The large trees pay homage to Giotto di Bondone, who worked around Umbria 900 years ago and a collection of his frescoes can be seen in Assisi.
A little more work and we’re there.
Assisi – watercolour and ink, 35 cm x 70 cm. (For Sale)
This Assisi watercolour is a very busy painting filled with lots of detail and colour. Like the town itself, you can easily get lost looking at the buildings, alleyways and churches. The three major cathedrals of St Francis, St Ruffinus and St Clare are all prominently featured, as are five of the medieval gateways.
The sky is a beautiful sun burst pattern, one commonly seen in the Umbrian dawn. While the picture is divided into three views by two trees, which depict the styles of Giotto and Simone Martini. Both of whose work can be seen in the magnificent Basilica di San Francesco.
Streets of Assisi
As you walk the streets, what strikes you most is the array of arched doorways and windows. The town is full of arches, some ancient ones, long blocked in, others leading to delicious restaurants and bars, while others lead you down interesting back alleys to new and captivating piazzas.
Marmore Waterfalls – watercolour and ink, 90 cm x 30 cm (For Sale)
A question, often asked of artists is “how long did it take you to paint that?” Well the waterfalls at Marmore took me 8 years. I first visited them back in 2009 and decided I had to capture the area on paper.
The actual design, once I put pencil to paper, took about two weeks to dream up. Those who followed the paintings progress on Facebook know that it took five days to paint. So depending on how you look at these things, anywhere between eight years or three weeks.
Some times you can’t rush things.
Umbria Film Studio
Behind the painting
The painting features the 2,200 year old, man-made waterfall at Marmore, popular with artists, the medieval hill top village of Papigno, through which your drive on your way to the base of the falls and pass the Umbria film studios.
The studios are where Roberto Benigni filmed his classic movie “La vita e bella” and has a strange collection of building facades along the river, with the large, metal cladded buildings behind.
Around the corner from the studios you come across the waterfalls. If you visit, choose your times carefully as they are not always flowing. The water is diverted through a hydro-electric plant and for the greater part of the day they are quiet.
However, twice a day the sluice gates are opened and you can experience the full glory of the water cascading over the cliff face and through the trees. It is this spectacle that artists and poets down the ages have come to witness and area is a truly tranquil place to explore.
Lacrime di Lucifero – Morro d’Alba – watercolour and ink 44cm x 28cm (For Sale)
Lacrime di Lucifero. Lacrime refers to the delicious wine of Morro d’Alba, Lacrime (meaning tears) and Lucifero being the nickname given to the heatwave of the summer of 2017. One of the things you need to ease the midday temperatures is a good wine and believe me, this is a great wine.
Morro d’Alba painting
Morro d’Alba is 12 km from the coastal town of Senigalia in Le Marche, Italy and is perched high above the Adriatic Coast. From its covered walls, you can look down on the endless fields of sunflowers, vineyards and olive groves.
The main piazza, on the left, sits on top of a small hill, with the rest of the town sloping away from it. All around the town walls there are pine trees and oaks along the road side. During the summer months these provide much needed shade and were especially welcome in 2017.
Again the style is an apocalyptic, Gothic stylised painting, with a red faced demon, blasting hot air down on the town and the typical trees and buildings that can be found in Medieval manuscripts. The idea is to give the painting a doomsday feel to it. Soaring temperatures, parched landscape and bleached, dry towns. All very “The end is nigh”.
The beautiful town of Morro d’Alba is our next destination on Lucifero’s journey around Le Marche in Italy. This place is famous for its Lacrime (tears) wine. A delicious drink that, given the opportunity, everyone should try.
Lacrime d’Alba walk
The now famous “Lucifer” heatwave has been enough to make even the most heat loving person cry. So visiting the town was a relief from the blazing sun and cool comfort was found within its covered walkway. The medieval town wall has a vaulted corridor, with regular archways, that afford visitors the chance to take in the breathtaking scenery of the surrounding countryside, all the way down to the Adriatic Sea.
It’s by no way a massive place to explore but makes a fabulous destination for lunch or dinner. Especially if you order a bottle or two of the Lacrime to go with your meal. The walls have been cleaned up, giving them a subtle orange glow, there is the Museum of Tools and apart from that, it’s a charming pit stop.
The painting, like the previous one, will feature a Medieval portrait of Lucifer in one corner. Spewing his hot breath over the landscape. This time however, the bulk of the picture will show the town wall with some stylised trees in the foreground. Hot tongues of flame will lick the sky, reminding you (if you happened to find yourself in southern Europe) of the sheer heat of 2017.
Lucifer’s Summer – watercolour and ink, 26cm x 40cm (For Sale)
After the heatwave, that drifted over southern Europe for three weeks, the summer of 2017 earned nickname “Lucifer’s Summer”. The average temperature was in the mid-forties and the heat was stifling.
The painting features the village of Belvedere Ostrense in Le Marche, with the silhouettes of Barbara and Ostra Vetere in the background. The hills had either been ploughed, which left hardened clods of earth or black, dried sunflowers, making the usual verdant landscape turn various shades of black and brown.
The never-ending heatwave had the feel of a biblical prophecy to it so I decided to paint it in a Medieval manuscript style, complete with a demonic head in the corner. From its foul mouth swirl the stinking, reeking heat of hell. Well that’s how it felt for quite a few days that summer