Modern Medieval Electric Toothbrush – watercolour and ink
This is the latest in the series of paintings that explore the design style of the 11th century polymath, Ismael al Jazari. He famously produced a manual with over a 100 designs for clocks, fountains, water pumps etc.
These paintings take the designs of al Jazari’s machines working parts and use them to paint modern devices such as the electric toothbrush.
The original paintings have Arabic script and symbols, however, not wishing to make linguistic errors, I decided to use a phonetic alphabet instead. This gives the designs a mystical feel, while retaining their use as the labels that can be understood, once you decipher the writing.
I love the way Jazari conveys pumps, gearing systems and camshafts,but had to explore ways of portraying modern components, such as batteries, electric motors and wires. Next step circuit boards I think.
Others in the series include a steam iron, coffee machine and cigarette lighter.
If in the 13th century Ismail al Jazari had had the opportunity to design a cigarette lighter, I feel sure his painting would have looked something like this.
He would have incorporated a sealed pot to hold the gas and somehow tied down a piece of flint. There would have been a cog that when turned could adjust the height of the flame and the whole mechanism would have been put in a decorative box.
As with the previous machines, I’ve used the phonetic alphabet to give the painting an air of mysticism. The strange symbols and the addition of the mathematical formula for a burning match gives it a real sense of this being a scientific document.
Prints, postcards and mugs of this fascinating Medieval Lighter are available from my on-line shop.
Medieval Steam Iron Design
The latest addition to Ismail al Jazari’s styled, design book is the steam iron. This picture uses colour pencils as I made the mistake of trying a different sort of paper, which didn’t work at all with watercolour paints.
The picture uses the same phonetic alphabet as in the Coffee Machine painting and also incorporates the strange symbols found in al Jazari’s original 13th century drawings.
Sketches for the next in the series include a food processor, electric whisk, cigarette lighter and a toothbrush. If you have any ideas about a modern appliance you’d like to see me draw leave your suggestion in the comments box. 🙂
Prints, postcards and mugs of this wonderful Medieval Steam Iron are available from my on-line shop.
Carrying on from the modern landscapes in a Medieval or International Gothic style and the contemporary saint avatars, I have started a series of medieval instruction manuals.
I discovered the 12th century, Arabian polymath, artist/inventor, Ismail al Jazari’s works and have taken them as a starting point. Al Jazari produced a manuscript book detailing 100 different machines that people could make. These included fountains, clocks and musical machines.
Using the format and devices Jazari created I am producing drawings of modern appliances in his medieval style. This includes strange spiky cogs, flaming furnaces and water wheels, all linked up to power and operate my machines.
Al Jazari’s Manuscript
Al Jazari’s designs also contain Arabic lettering and symbols to explain the working of his creations. Not speaking Arabic and not wishing to write complete nonsense I decided to use the phonetic alphabet to annotate my drawings. This gives it a mysterious feel but is also legible if you know how pronunciation is written.
If you haven’t figured it out yet, the first design is a coffee machine. Obviously water flows from the tank on the right, into the boiler and is pumped up into the filter from where coffee drips into the cup. If you have any ideas that you’d like me to try out please add to the comments section. 🙂
Prints, postcards and mugs are available of the wonderful Coffee Machine from my on-line shop.
Sketch of Supersized Assisi
I have been commissioned to paint a supersized version of Assisi. Once framed the picture will measure around 1300 cm x 900 cm.
A Child’s view
The commission is for a young lady who bears the name of this wonderful city. The intention is to create a painting full of detail with alleyways, gateways, buildings and wooded hideaways where a child can let loose their imagination and make up tales of wonder and mystery.
Assisi will feature prominently in the centre with vineyards and olive groves filling the foreground. This is pretty much in keeping with the landscape around the town. Field boundaries, copses of trees and little isolated farmhouses will lead up to the start of the town with its gates and walls.
On the left, sitting low to the horizon, will be the Basilica of San Francesco. The upper slopes of Mount Subasio will then fade off on the right hand side. The sky will be a bright, sunburst, a mixture of yellow, orange, pinks, blue and lilacs perfect for this setting.
I’d also like to fill the picture with secret letters, numbers and images to fire a young person’s imagination and get her to look deeper into the painting. We’ll see how this idea pans out though.
Towers, steeples and archways
The size of the watercolour will allow plenty of space to paint a fantastic, magical landscape where kids can have fun adventures. The hope is that people can return to it time and time again and discover new things hidden within the picture.
With the paper successfully stretched it’s time to get painting Assisi in all it’s magnificent detail.
Gubbio was one of the first 12 cities created, by Noah, after the biblical flood. It is also where St Francis talked a wolf out of terrorising the residents. The painting shows the main landmarks and obvious points of reference around the town.
Cable car view of Gubbio
Perched on the mountain top is the Monastery of St Ubaldo that can be reached by cable car. It is here that they light the famous giant Christmas tree each year. In the foreground is the ancient Roman amphitheater, which is still in use today, along with the Palazzo dei Consoli and the churches of St Francis and St Peter.
Halfway up the hillside the remains of the town’s defenses poke out of the olive groves and scrub, with the crumbling towers and debris clearly visible as you approach the town. Gubbio itself is a maze of narrow cobbled streets and interesting buildings, fountains, piazzas and shops.
Giotto’s trees in Assisi
At present the painting starts to capture the grey and tan stonework that have been used in the town’s construction. These are played off against the trees and bushes that are scattered around Gubbio’s streets.
The large trees pay homage to Giotto di Bondone, who worked around Umbria 900 years ago and a collection of his frescoes can be seen in Assisi.
A little more work and we’re there.
The next project is the Umbrian town of Gubbio. This is to be a sister painting to the last one of Assisi.
Gubbio’s Roman Amphitheater
Sister paintings came from the reality that if I painted something for my wife my sister-in-law would want one too and visa versa. Therefore many of my watercolours have a twin, painted around the same time and are similar in style, colour or content. These tend to be two pictures that can comfortably sit side by side.
Cable car ride
Gubbio is a fascinating place and sits in the foothills of the Apennine mountains. It is claimed to be one of the original twelve cities created by Noah after the great flood and is the place where Saint Francis had a word with a wolf that had been stalking the townsfolk.
Clustered around the base of Mount Ingino are Gubbio’s narrow, medieval streets, leading to its piazzas and some of its iconic buildings, such as the Palazzo dei Consoli. As you approach the town you also pass the large
The World’s Tallest Christmas Tree
park, which houses the ancient ruins of the amphitheater that is still in use today.
Drawing the town
Crowning the mountain is the Basilica di Sant’Ubaldo, that can be reached by a cable car, gliding over the wooded slopes and gives you a great view down on Gubbio’s streets and buildings.
An element I’d love to include in the painting is the world’s largest Christmas tree. Each year the hillside is lit up in the shape of a fir tree. I think I might be able to hide brightly coloured dots amongst the trees that mark out the famous landmark. We’ll just have to see how it goes.
The one event I’ll pass on this time is depicting the crazy Ceri race that takes place each year. This is when three 25 foot totem poles are carried through the town and up to the Basilica di Sant’Ubaldo. A mad dash skywards that in 700 years has always finished in the same order.
Okay, lets get Gubbio painted.