Monthly Archives: August 2015

Watercolour of the Castle on the Lake – Castiglione del Lago

Tuscan umbria castle towns

Castiglione del Lago – Lake Trasimeno
Watercolour and ink, 35 cm x 21 cm (For Sale)

The study of Castiglione del Lago is part of a series which includes the Isole Maggiore watercolour painting. The idea is to eventually have a large painting featuring both of these sites and some others around the lake.

Lake Trasimeno is Umbria’s largest body of water and due to the provinces lack of coastline, it has been a constant provider of fish for local people for centuries. And Castiglione del Lago has  been a sentinel on the lake for an equally a long time.

The unique feature about the town, which was once on an island, is the pentagonal castle that sits at the head of the promontory. And while its slopes are now filled with olive groves, there would once have been a clear view down to the waters edge.  On the right-hand side is the Church of Maddalena, the town’s patron saint and halfway along the south-western part of the town wall is the elaborate Ducal Palace.

I love the sheer number of trees that cloak the town. Leafy boulevards flank the two sides, Three large palm trees stand outside it’s main entrance and a massive oak tree sits in the middle of the castle grounds. It is a well shaded and cool place to sit, even at the height of summer.

Now all we need to do it link the town, with the three islands and the rest of the mainland to complete the painting. No small task.

Paint Like an Egyptian

What are the meanings behind the first rules of art?

Tomb painting

Egyptian figure painting

The style and painting  in Egyptian society 3,000 years ago is well known. Strangely contorted bodies specifically designed to show off a person’s best attributes and landscapes or events drawn as if seen from all angles at once.

This particular viewpoint was one of art with a purpose, magical art, which endured in Egypt for over a thousand years.

It was linked to their religious beliefs in life after death, and so in order to make it to the afterlife, you needed to preserve your image on earth. Hence mummification, but also the rules governing painting and especially the painting of people.

Egyptian figure painting

Bringing in the corn

Bringing in the corn

If you study figures from tomb paintings and reliefs you will see that the head is always in profile, the torso is twisted to show off the chest, arms hinged at the shoulders and the waist rotated sideways. The feet are also captured in a strange way, seen from the inside, always showing both big toes together. As if the person had two left feet.

This rather Cubist way of painting the figure was governed by a series of rules laid down centuries before and ahead of the Greek’s discovery of foreshortening.

Egyptian landscapes

Egyptian pool

Nabamoun Garden Pond – Thebes

The same all around view is used when looking at the landscape, ponds are seen from above with birds and fish both on and under the water in the same picture. Trees are drawn all around the edges, as if chopped down and neatly lined up. All aspects of the landscape are possible at the same time.

Here again the idea was to illustrate the perfect view of the dead persons world. All things depicted in an established formula, showing the world off to its best.  The gods and pharaohs were big, while the man on the street was drawn small, the little people.

Telling the story

wine making in Eqypt

How to make wine

Events were documented accurately too. They were  comic strip representations of the process, whether it  was bringing in the corn, making wine or fighting a battle. The artist drew all parts of the event in one panel, showing precisely what went on. Hunting trips show the pharaoh hiding in the bushes, stalking his prey, making the kill and taking the catch home. Understanding the visual narrative is key to reading an Egyptian painting.

Paint like an Egyptian

Tomb painting

Egyptian battle scene

I like the Egyptian painters idea of seeing things from all points simultaneously. I think that we all consciously edit our reality to create the perfect version of a scene. The Egyptian painters perfectly illustrate this theory. Think of your favourite destination and I guarantee you’ll edit out the things you don’t like or that you feel inappropriate.

Nothing is ever completely new in art. Just as the Cubists were seen as innovative in their own way, the Egyptians were possibly the originators of this concept of looking at the world through different glasses.

And just because I know you’ve been humming it while you read this post here are the Bangles. Walk like an Egyptian. 

Watercolour Painting on the Lake – Isole Maggiore

Lago Trasimeno, Umbria

Isole Maggiore – Lake Trasimeno
Watercolour and ink 35 cm x 21 cm (For Sale)

I’m now working on  a series of paintings around Lake Trasimeno in Umbria, the largest body of water on the peninsula and it’s very own little piece of sandy heaven.

Visiting the Isole Maggiore

Isole Maggiore

Map of the island

The Isole Maggiore, the middle-sized of the three islands, was once heavily populated and a fishing and lace making centre for the area. In it’s heyday there were over 1,200 inhabitants, now though, there are about 16 people who live there permanently.

It is a fascinating place to visit with several restaurants and bars, a museum to the fishing and lace industries that once flourished and the Captain’s House, that tells the story of this fascinating island. You can follow the trails around the islands and visit the cave where St Francis spent some time, there are the ruins of the old mills, and a derelict castle too. Although at the time of writing, this is under repair and inaccessible.

Around Lake Tresimeno

The smallest island, Isole Minore, is privately owned and not open to visitors but the largest, Polvese, is a nature sanctuary. Here you’ll find a couple of old churches, a medieval castle and the remains of a monastery. This is an island on which you can relax, walk around and enjoy the Umbrian countryside and its nature.

Castiglione del Lago

Castiglione del Lago

The area as a whole is full of interesting places to stop off at. The gorgeous town of Castiglione del Lago, the well presented glass museum at Piegaro and the Fishing Museum at San Feliciano provide plenty to see. For a real sense of the history around Lago Trasimeno then the informative Etruscan Museum at Chiusi is worth a visit.

Next up I think the fortifications and churches of Castiglione del Lago.

Primitive Art – The Magic in Painting

I love the idea that art has a magical quality to it. When our ancient ancestors started painting, mark making, sculpting images, they believed there was some inherent magic that was embodied within the images they created.

Cave painting Lascaux

Cave painting Lascaux

By painting a wounded animal on a cave wall it would help them in the hunt, creating an image of an enemy and harming it also harmed the foe.These are sophisticated paintings, made by people rooted in their surroundings and closely connected to the land.

So were the earliest artworks more than just decoration for the cave or a way of adding some colour to the straw hut?

Not just decoration

The Venus of Willendorf

The Venus of Willendorf

These days pictures and sculptures are viewed as decorative objects, something to brighten a room, a thing that is nice to look at. However, in our past they were things of worship that had a definite purpose. The job of the art was to give the tribe strength and help to appease the gods.

By decorating sculptures and paintings by giving them recognisable features, primative painters instilled life in their creations. With the inclusion of eyes, a nose and mouth they believed gave a figure the ability to look out and take in its surroundings. Likewise poking the eyes out had the effect of blinding the person.

Magical art

Hunting scene

Hunting scene

People had such a strength and faith in the magic of early art, that it was fervently understood that an object’s power could effect things. Art as a living, breathing, potent force, this also gave artists a special place in the society. The skill to carefully craft artworks for the tribe was a valuable and essential part of the groups daily routine.

They were teaching aids, passing on valuable information about the seasons, hunting and farming. Large totums were erected to record the tribes stories and painted tombs to prepare the dead for the afterlife. You would not go to all the effort of building a pyramid unless you fervently believed its power would return the departed god king to his celestial realm.

Magic in Modern art

Carved head

Carved head

Even today, wanton acts of vandalism against artistic images such as destroying the eyes on a painting would cause feelings of unease. Try sticking a pen through a photo of your favourite celebrity and you’ll feel wrong. The graven image has a strong connection to our ancient primative selves and art is still able to conjure up passionate emotions and deep feelings deep within our soul.

So when viewing primitive, native or tribal art, remember that as well as being a beautiful decorative image it is so much more and had a specific purpose too. Can it ward off storms, protect the crops or induce fertility? Who knows? However, our ancestors thought so and it would be rude not to take advice from our elders and betters

The Old Gatehouse

Painting Medieval village

The Gatehouse at Santa Giuliana
Watercolour and ink 60 cm x 30 cm (Sold)

As it normally forms the focal point in the landscape, it was nice to paint a large scale view of Santa Giuliana . This time however,  it is the central character. The image itself is taken from several angles to show off its features and even with some severe pruning of the trees, you’re left in no doubt as to where it is.